The Long Moment in Reykjavik


We are excited to be showing our work in Reykjavik, Iceland this spring. The exhibition will showcase a selection of works from the Volume Series, as well as images from our ongoing series Places in Between. The exhibition is part of the Design March 2013 programme.

The Long Moment
9.march – 21.april 2013
Nordens Hus

The Long Moment at Dunkers Kulturhus

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Dunkers Kulturhus is showing a broad selection of our work, for the first time exhibiting excerpts of all our art series side by side. Alltogether 40 works from Iceland, Kyrgyzstan, Qatar and Places in Between, are shown in an enigmatic dark red exhibition space.

 
June 2012 – February 2013
Dunkers Kulturhus
Helsingborg
Sweden 

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My Quiet of Gold at Västerås Konstmuseum

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My Quiet of Gold
February 25 – April 22, 2012
Västerås Kulturmuseum

The solo exhibition My Quiet of Gold, with  photographs from a journey to Kyrgyzstan, showing at Västerås Konstmuseum.

 

 

My Quiet of Gold in Berlin




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My Quiet of Gold

Show in Berlin 

October 27 – November 27, 2011
Gestalten Space

We are happy to have the opportunity to exhibit our latest project in Berlin at Die Gestalten Space, Sophienstraße 21. For those of you who are in Berlin, the exhibition will be up until November 27th.

My Quiet of Gold at Hasselblad

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My Quiet of Gold exhibited 
at Hasselblad Center
25.2.2011 – 15.5.2011 / Gothenburg, Sweden

About the exhibition
by Dragana Vujanovic, curator

Photographs from a journey to Kyrgyzstan are the focus of Sarah Cooper and Nina Gorfer’s solo exhibition My Quiet of Gold. Kyrgyzstan is a country with a strong tradition of storytelling where folk tales are part of everyday life. Cooper and Gorfer approached the culture by allowing the people they met to stage their own stories. The artists’ personal conversations with people gave rise to the portrayals. The images were digitally processed to create painterly collages, depicting more than one level of reality. Sarah Cooper and Nina Gorfer’s work stems from a narrative tradition within photography with roots in 19th century painting. Their pictures are imbued with understated drama and an enigmatic tone – a typical characteristic of staged photography in which unpleasant stories are often narrated with a seductive aesthetic. The beautiful picture attracts the viewer, who soon perceives other meanings. Unlike the discrete passer-by who single-handedly waits the decisive moment, Cooper and Gorfer carefully direct choreographed productions. The time they invest in creating a picture can be likened to that of a painter in a studio.

Cooper and Gorfer’s staged folk tales draw a picture of Kyrgyzstan’s contemporary history, creating unique portraits at the same time. The duo avoid making a traditional documentation of the country, instead they describe the culture through a fertile mix of fact and fiction. The images are also indirectly self-portraits of Cooper and Gorfer; picture editing and the selection of stories unveils their own interests and preferences. The image that comes through portrays two socially committed romantics.

Under Nomadic Surfaces

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Exhibition at Christian Larsen
Aug 2010 / Under Nomadic Surfaces

The exhibition, Under Nomadic Surfaces, shows a selection of work from two of our series locations, Kyrgyzstan and Qatar. On these journeys we work in parallel as directors, photographers and authors – casting the people we meet into the stories we gather. By focussing on the cognition of the human element, rather than on political, religious or social views, we attempt to bridge the differences between two countries. Places, that despite their disparity, share elemental features: nomadic history, Islamic culture, and almost more importantly, a confrontation with change and an attempt to redefine their identity on the cusp of transformation.