— Cooper & Gorfer

Tag "exhibition"

Over the past two and a half years (2012-2014) we have worked with the art and fashion scene of the West Nordic Islands for the 3rd Nordic Fashion Biennale, for which we were commissioned to curate and create a photographic exhibition interpreting fashion from Iceland, Greenland and the Faroe Islands. (We have posted some of the behind the scenes of the travels and collaborations last fall). On March 22nd the exhibition opened at the Museum Angewandte Kunst, Frankfurt. Entitled The Weather Diaries, the exhibition offers an inspiring and aesthetic experience, uniting the works of many of the most talented designers from the West Nordic islands. It is a symbiotic exhibition of 11 one of a kind installations, that together with 27 photographic art works by us, take you closer into the creativity stemming from the islands of the North.

The Weather Diaries
Museum Angewandte Kunst Frankfurt
March 22nd – September 21st 2014

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Dunkers Kulturhus in Helsingborg showing a selection of our work spanning the Volumes Iceland, Kyrgyzstan and Qatar, as well as from Places in Between.
June 2012 – February 2013
Dunkers Kulturhus


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My Quiet of Gold
February 25 – April 22, 2012
Västerås Kulturmuseum

The solo exhibition My Quiet of Gold, with  photographs from a journey to Kyrgyzstan, showing at Västerås Konstmuseum.



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It was wonderful to have been presented at the Armory Show in New York 2012.


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My Quiet of Gold

Show in Berlin 

October 27 – November 27, 2011
Gestalten Space

We are happy to have the opportunity to exhibit our latest project in Berlin at Die Gestalten Space, Sophienstraße 21. For those of you who are in Berlin, the exhibition will be up until November 27th.

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My Quiet of Gold exhibited at Hasselblad Center
25.2.2011 – 15.5.2011 / Gothenburg, Sweden

About the exhibition
by Dragana Vujanovic, curator

Photographs from a journey to Kyrgyzstan are the focus of Sarah Cooper and Nina Gorfer’s solo exhibition My Quiet of Gold. Kyrgyzstan is a country with a strong tradition of storytelling where folk tales are part of everyday life. Cooper and Gorfer approached the culture by allowing the people they met to stage their own stories. The artists’ personal conversations with people gave rise to the portrayals. The images were digitally processed to create painterly collages, depicting more than one level of reality. Sarah Cooper and Nina Gorfer’s work stems from a narrative tradition within photography with roots in 19th century painting. Their pictures are imbued with understated drama and an enigmatic tone – a typical characteristic of staged photography in which unpleasant stories are often narrated with a seductive aesthetic. The beautiful picture attracts the viewer, who soon perceives other meanings. Unlike the discrete passer-by who single-handedly waits the decisive moment, Cooper and Gorfer carefully direct choreographed productions. The time they invest in creating a picture can be likened to that of a painter in a studio.

Cooper and Gorfer’s staged folk tales draw a picture of Kyrgyzstan’s contemporary history, creating unique portraits at the same time. The duo avoid making a traditional documentation of the country, instead they describe the culture through a fertile mix of fact and fiction. The images are also indirectly self-portraits of Cooper and Gorfer; picture editing and the selection of stories unveils their own interests and preferences. The image that comes through portrays two socially committed romantics.

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Exhibition at Christian Larsen
Aug 2010 / Under Nomadic Surfaces

The exhibition, Under Nomadic Surfaces, shows a selection of work from two of our series locations, Kyrgyzstan and Qatar. On these journeys we work in parallel as directors, photographers and authors – casting the people we meet into the stories we gather. By focussing on the cognition of the human element, rather than on political, religious or social views, we attempt to bridge the differences between two countries. Places, that despite their disparity, share elemental features: nomadic history, Islamic culture, and almost more importantly, a confrontation with change and an attempt to redefine their identity on the cusp of transformation.

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Exhibition at Kulturhuset Stockholm
Stockholm, 2008

The exhibition In a House of Snow, showcases 30 works from our first book, SEEK Volume 01 / Iceland, at Kulturhuset Stockholm in 2008. A supremely evocative exhibition, compelling photographs record timeless legends, ghost stories, and personal histories from Iceland. Starring a cast of Icelandic characters the exhibition reveals subtle narratives. In a House of Snow is a body of work with vivid and striking impression, it presents an opaque and desolate mystique where the bizarre meets history.

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